The perforations and bright colours of the puppets allow them to be clearly seen from the audience’s side of the white muslin screen ( kelir ), which is lit by a single suspended light bulb, as the puppeteer ( dalang ) manipulates the puppets and together with narration, music and dialogue presents his story. Traditional dyes, derived from wood, bark and leaves, have given way to enamel paints and, more recently, marker pens. How did wayang kulit start Developed before the 10th century, the form had origins in the thalubomalata, the leather puppets of southern India. Once a puppet has been shaped, it is painted and a spine and mobile arm are attached. The origin of the Wayang Kulit comes from Indonesia, although there have been arguments that it also could have come from China. This is to be said one of the earliest forms of puppet dancing, going back to the year 800. Wayang means shadow and Kulit means leather. Simple tools are then used to create costume items and accessories on the figure. The Wayang Kulit is a famous shadow puppet play in Indonesia. #Wayang kulit shadow puppetry skin#A tracing of the figure to be made, usually in profile, is gummed onto a piece of skin of a suitable size and the outline of the character cut out with a small knife. Once the animal hide has been dried following the removal of all flesh, it is scraped until it becomes nearly translucent. Only a single arm is articulated in most figures. Standing approximately 70 cm (28 inches) high and 30.5 cm (12 inches) wide, wayang kulit are constructed of cow or goat hide. Pak Nasir, a reputable Kelantanese puppet maker, putting the finishing touches to a small wayang kulit puppet using bright enamel paints. The principal figures, representing semi-divine beings and ogres, exhibit features derived from indigenous Malay, Javanese and Thai traditions. Wayang kulit figures are generally symbolic rather than realistic. A complete wayang kulit set consists of approximately 60 puppets representing the principal characters of Hikayat Maharaja Wana, a local version of the Hindu Ramayana epic, several minor figures, as well as stage properties, the most important being the leaf-shaped pohon beringin or “tree of life”. It is here also that the art of making two-dimensional puppets may be seen. Wayang kulit or shadow play is an art form most often associated with the northeastern state of Kelantan in Peninsular Malaysia. Several Kelantan-style wayang kulit puppets seen from the front of a cloth screen (kelir), from left to right: Hanuman Kera Putih, Seri Rama, Wak Long, Laksmana and Pak Dogol.
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